Wed - September 27, 2000
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After shooting black and white infrared images for
several years, my friend introduced me to the Polaroid transfer process
and I haven't looked back since. I wanted to experiment with other forms
of photography and it was fate that the Polaroid transfer process "fell in
my lap." The process involves using a Vivitar Slide Printer, Polaroid 669
film, 140 lb Arches hot press watercolor paper and slides. I am taken by
the incrediable diversity and the moody, individualized images. I think
the reason I am drawn to this alternate process is because it allows me to
break the traditional boundaries of photography. I don't have any formal
training as a photographer or an artist. My "day job" as a laboratory
technician requires me to follow very specific procedures and rules, where
there isn't any room for creativity. This extremely structured environment
leaves me craving for a creative outlet and the Polaroid transfer process
certainly satisfies that craving. Since no two images ever look alike, I
am never very certain how the images will turn out. Doing the process is a
lot like unwrapping a bunch of birthday presents: one has an IDEA of what
you are getting, but one can never really be sure exactly, until its way
too late and all the presents are unwrapped. Some of the transfers are
what I want, others are not.
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"Elvis Has Left The Building" series was taken at a quirky Elvis museum
in Kingdom City, Missouri, quite literally "in the middle of nowhere".
I was on my way to Lake of the Ozarks when I spied the museum.
Usually my husband is
with me and forbids me to stop and take any photos despite my constant
pleading, but this time he wasn't with me and I could photograph this
strange, unusual place to my hearts content.
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all images © Jane
Linders, Maryland Heights, Missouri