Sun - May 21, 2000
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I am fascinated by the technology of the nineteenth century and it's
inextricable link to the Victorian sensibility. The hallmark of this
aesthetic lies in its tightly-laced obsession with detail and
decoration, decorum and charm. All objects, from a memory quilt to a
camera, were compulsively lavished with the same ornamental decorations.
While on one level my modernity is repelled by this fussiness, on
another level I feel oddly liberated by this outrageously sensual
adornment of objects, regardless of their function.
Yet the Victorian fixation on complicated patterning belies a fear of
the empty space. I feel there is, within their flourishes, a language I
must decipher. To get close enough, to get inside the design is to see
patterns of desire, patterns of repression, a pattern that blossoms to
encompass generations. As Louise Bourgeois once said, "...The making of
art is an insight into the source of compulsion....Art is the privilege
of insight into craving."
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The processes I am drawn to require much tedious, repetitive labor.
Although I often work with sophisticated technology, I see my work in
the tradition of women's lap craft. I find the time spent obsessively
performing these mundane tasks is essential, for it is during this time
that I develop an intimate understanding of the imagery I create. I hand
paint one frame at a time; I move images, pixel by pixel; I shoot film
frame by frame. With my attention focused on the miniature, each frame
is a separate entity, an entire world. My fascination with the handmade,
the awkward and sentimental is at odds with the contemporary medium
within which I work. The dynamic play between practical technology and
rhapsodic subject matter is the motivation that propels my work forward.
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This series of images was created like photograms, by placing organic
material on unexposed slide film and flashing it with light. I then
scanned the images into the computer and performed minimal adjustments
before outputting them to Polaroid pack film. The final images are
Polaroid emulsion transfers on watercolor paper.
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all images © Sheri
Wills, Providence, Rhode Island